Victorian Era Parlour Talk: UFOs Meet Society

What do Unidentified Flying Objects (UFOs) have to do with the
Victorian Era? Actually, they became popular and proper topics of conversation. In an age when conversation was prized as an art, anything new and unusual or from another part of the world merited as a proper topic in Society.

While researching current topics of interest for my Victorian era novel manuscript, I was astounded at how little was in print about the rising interest by folks in that time in UFOs. I'd read of some reports years ago, but finding them at hand on the Internet proved difficult.

The following article content is reprinted with permission of the writer and researcher Ms. Stevie Pittsley:

Long before the famous stories emerged about a UFO crash in roswell ,in 1947, tales of alien spaceships hitting the Earth appeared in 19th Century papers: "About 35 miles northwest of Benkelman, Dundy County, on the 6th of June [1884] a very startling phenomenon occurred. It seems that John W. Ellis and three of his herdsmen and a number of other cowboys were out engaged in a round-up. They were startled by a terrific whirring noise over their heads, and turning their eyes saw a blazing body falling like a shot to earth. It struck beyond them, being hidden from view by a bank."
The article, from the Nebraska Nugget, goes on to say that the rancher found "fragments of cog-wheels, and other pieces of machinery" lying on the ground. The heat was so intense that "as to scorch the grass for a long distance around each fragment and make it impossible for one to approach..."
The group found the main part of the wreck and one of them "fell senseless from the gazing at it at too close quarters. His face was blistered, and his hair singed to a crisp." "Finding it impossible to approach the mysterious visitor [the UFO] the party turned back on it's trail. When it [the UFO] first touched the earth the ground was sandy and bare of grass. The sand was fused to an unknown depth over a space about 20 feet wide by 30 feet long, and the melted stuff was still bubbling and hissing."
Later in the story the ship is described as being 50 to 60 feet long, cylindrical and 10 to 12 feet in diameter. The writer notes that it was apparently composed of metal with an appearance like brass, but was remarkably light. The story also notes that the wreck is located in a remote and wild region and "the roads are hardly more than trails."
The second story appeared in the Dallas Morning News on April 19th, 1897:
"About 6 o'clock this morning the early risers of Aurora were astonished at the sudden appearance of the airship that had been sailing throughout the country. It was traveling due north, and much nearer the earth than before."
The article describes how the air vehicle "sailed over the public square and when it reached the north part of town collided with the tower of Judge Proctor's windmill and went to pieces with a terrific explosion, scattering debris over several acres of ground, wrecking the windmill and water tank and destroying the judges's flower garden." It continues with, "The pilot of the ship is supposed to have been the only aboard, and while his remains are badly disfigured, enough of the original has been picked up to show he was not an inhabitant of this world."
"Mr. T. J Weems, the U.S. Signal Service officer at this place and an authority on astronomy, gives it as his opinion that he [the pilot] was a native of Mars." According to the story the remains of the ship were composed of a strange metal that seemed a mixture of aluminum and silver. The townspeople came to view the wreak and pick up specimens. The pilot was buried the day after the article was published.
So what can we make of these crash stories? Was 19th century Earth visited by extra-terrestrial beings with superior (but apparently faulty) technology?
In viewing any article from 19th century newspapers we must be aware of the abundance of hoax journalism during that period. Newspapers didn't just report news, but also provided entertainment. Much of this was in the form of books that were serialized of a number of issues. Some of it was in another form that is little regarded now: The hoax news story. Both of the above are probably examples of this almost forgotten tradition. How do we know? Mainly because they lack any collaborating evidence. In both cases no follow up stories were ever written which seems strange if events of the magnitude suggested did really occur. Also no pieces of the spaceships have ever shown up in local museums or historical societies.
The Texas incident was investigated in the late 1960's. Then residents of Aurora who were there in 1897 were still alive. None reported that they remembered the crash. Several stated that Judge Proctor never had a windmill. One confirmed that the T. J. Weems mentioned in the story was not a signal officer, but the town blacksmith. Most were of the opinion that F. E. Hayden, who had written the story, was just trying to get some publicity for the town. In addition, a search of the alleged crash site with a metal detector revealed nothing.
The story might have remained dead except for a writer with the Dallas Times Herald. In 1973 the newspaper did a series of sensational stories about the "crash." Despite faulty evidence and questionable witness accounts the stories managed to attract national attention. The excitement reached its peak when an Aurora cemetery was desecrated. The cemetery had kept meticulous records showing just who was buried where and there was no "man from mars" on the roster. Despite this, a plot, that some claimed was the Martian's, was dug up and the tombstone stolen. According to some accounts the tombstone had a picture of an UFO carved into it.

Tuesday Ten, Victorian Adventures/Discoveries

1.) Antiseptics—as we know them, anyway. In 1847, Ignaz Semmelweis in Hungaria noted that when doctors washed their hands between pregnant patients in a hospital, the spread of puperal disease(childbed fever) was significantly reduced. In the ‘70’s Joseph Lister took the new “theory” into the operating room and tried to prevent sepsis with carbolic acid. It worked, but doctors were not particularly thrilled by the idea, especially in the U.S. http://web.ukonline.co.uk/b.gardner/Lister.html I do wonder if this is where the name Listerine came from.

2.) Tuberculosis—It was consumption for most of the century, and was thought to be a sort of family predisposition. It killed millions of people. (I’ve bloged about this earlier). In 1882 Robert Koch discovered the bacteria Mycobacterium tuberculosis. The name changed, and the treatments also. Unfortunately the cure (antibiotics) did not come about until the 20th century—1943. After both WWI and WWII! http://www.umdnj.edu/~ntbcweb/history.htm

3.) Electric Light—We all know this one, but we don’t associate it with the Victorians for the most part. Various elements of the light bulb had been around for some time, but Edison was the man who developed the first practical light bulb. And then went on to establish the electrical industry, starting in Manhattan in the 1880’s. http://inventors.about.com/library/inventors/bledison.htm

4.) Anesthesia—Pain relief, really. Sure, there had been many methods (alcohol was one! And laudanum) but ether and chloroform for operating came about during the Victorian period. The first use was in Boston, 1846. Both substances went on to be used quite often in childbirth (earlier blog, also) for which many women were grateful. http://neurosurgery.mgh.harvard.edu/History/gift.htm

5.) Telegraph—the telegraph itself was invented before the period, 1830. But it became widely used during the period, with wires being spread across the US and other countries (although I don’t know as much about them). The first news dispatched my Mr. Morses invention was in 1844, between Washington and Baltimore. http://inventors.about.com/library/inventors/bltelegraph.htm

6.)Telephone—1876 as many of us know. The first telephone line was between Sommerville MA and Boston in 1877. I read—but I don’t recall where—that the first pay phone was in Conneticut. Someone actually stood next to the phone and collected money from people who used it. http://inventors.about.com/library/inventors/bltelephone7.htm

7.) Gas lighting—This was really an early 19th century invention, but was so ubiquitious during the Victorian era that I felt I had to mention it. The first public use of gas for lighting occurred in London, 1812, the Regency period. The first pipes in the US were laid in the Baltimore, 1816. Gas lighting came to New York in 1820, all well before the start of the Victorian period. But as cities developed during the period, gas lines were laid, thus establishing the city as “modern”.
http://www.gaslite.com/history.html


8.) Central Heating—This is something I cannot find much information on, yet anyway. But I do know there were methods and furnaces that provided heat throughout an entire house by the end of the century, because Henry James references it in The Bostonians. (1886, referencing, 1876). I also saw one of these central heating systems in a preserved Victorian in Boston, the Gibson House http://www.thegibsonhouse.org/index.asp

9.) Indoor Plumbing—Toilets and bathtubs, oh my! As I have discussed in previous blogs, indoor plumbing was first introduced in the Tremont House in Boston, 1830 (close to the start of the Victorian period). The Gibson house (see above) had a tub with hot water in the 1850’s.
http://www.theplumber.com/usa.html


10.) Bicycle—This was just pure fun, and not the history changing invention of the previous 9. It came about in 1865, and was the rage—enough so that women’s clothes were even fashioned around it—in the latter part of the century.
http://www.pedalinghistory.com/PHhistory.html

Happy Thanksgiving

Thanksgiving was one of those holidays people celebrated but not necessarily one that everyone recognized. Actually, it was a jumble of days with no rhyme or reason celebrated from state to state whenever.

That all changed when poet and editor Sarah J. Hale began lobbying for a national Thanksgiving holiday. During the Civil War, President Abraham Lincoln, looking for ways to unite the nation, discussed the subject with her. So in 1863, he gave his Thanksgiving Proclamation, declaring the last Thursday in November a day of thanksgiving.

During The Great Depression (specifically 1939-1941), FDR sought to lengthen the Christmas shopping season, and proclaimed Thanksgiving the 3rd Thursday in November. Controversy followed, and Congress passed a joint resolution in 1941 decreeing that Thanksgiving should fall on the fourth Thursday of November, where it remains.

Today's Black Friday, the 'traditional' start of the Christmas season. But if you've seen anything in the stores since, oh, August, you know that's a bunch of bologna. Still I know people who actually woke up at 4 this fine morning to brave the cold and people and do some shopping. Personally, forget it - I refuse to do that to myself. I'd rather pay full price than deal with all those people.

Happy Thanksgiving!

Tuesday Ten: Stagecoach Etiquette

In the old west, the only means of public transportation was the stagecoach. Stage stops were as common on the western plains as bus stops are today.

Journeys by stage were long, dusty and uncomfortable. Coaches were cramped, loaded down with heavy merchandise and luggage and passengers jammed in like sardines—as many as twelve to fifteen at a time. Crowded conditions such as these required rules.

Here, taken directly from the 1877 Omaha Herald, are Wells Fargo’s Rules for Riding the Stagecoach:

v Abstinence from liquor is requested, but if you must drink, share the bottle. To do otherwise makes you appear selfish and unneighborly.

v If ladies are present, gentlemen are urged to forego smoking cigars and pipes as the odor of same is repugnant to the Gentle Sex. Chewing tobacco is permitted, but spit with the wind, not against it.

v Gentlemen must refrain from the use of rough language in the presence of ladies and children.

v Buffalo robes are provided for your comfort during cold weather. Hogging robes will not be tolerated and the offender will be made to ride with the driver.

v Don’t snore loudly while sleeping or use your fellow passenger’s shoulder for a pillow; he or she may not understand and friction may result.

v Firearms may be kept on your person for use in emergencies. Do not fire them for pleasure or shoot at wild animals as the sound riles the horses.

v In the event of a runaway horse, remain calm. Leaping from the coach in panic will leave you injured, at the mercy of the elements, hostile Indians and hungry wolves.

v Forbidden topics of discussion are stagecoach robberies and Indian uprisings.

v Gents guilty of unchivalrous behavior toward lady passengers will be put off the stage. It’s a long walk back. A word to the wise is sufficient.

v Don’t ask how far to the next station until you get there. (LOL you just know that one was for the kids!)

Persistence

I just completed a workshop on persistence. That is, persistence as in regard to writing and getting your work noticed.

I thought I had persistence. After all, I've been writing toward publication for 13 years now. But, so far, I have only a few short stories published in obscure magazines that pay in copies or don't pay at all. I had one article that won first place in a contest, but I was never able to sell it. And another article was published for the whopping sum of $25.00.

I did have my first novel published about 5 years ago, but that hasn't been a windfall, only a few royalty checks trickle in now and then.

But, I'm still writing and intend to write as long as I'm physically able. Unlike some other writers, I've never set an arbitrary time limit on how long I'll stick it out before giving up if I'm not published or making a living at it in say, 5 years, 10 years, etc., because I never plan to quit. It's my life.

So, does that make me persistent? Apparently not enough. I have to start getting my work out there more, with queries, submissions, contest entries. I intend to do that.

Also, I have to start developing more projects. Get those things in the outline stage out of the drawer and start working on them again. And get those things still in 'the idea in my head', or 'one line blurb' stage, into development.

I want to be persistent, because writing and creating fictional characters that readers love is my life.

How about you? Have you set any arbitrary limits on the time you will take to make it as a writer before giving up?

Tuesday 10

Look - it's Tuesday! I totally missed that, what with the holiday (well it was for me, did you thank a Vet this weekend?) and the long weekend I took...ahem. No excuse. None. But I do have a list of ten for everyone.

10 Famous Firsts that debuted at the Chicago World's Fair of 1893 (otherwise known as the Colombian Exposition (which happened to be in Chicago) of 1893). Many of these are from The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America by Eric Larson, a great book (if you skim the boring menu parts) about serial killers, grand designs, and great Victorian history.

• Ferris Wheel - George Washington Gale Ferris, Jr. had the idea while the Fair's committee searched for something to rival the Eiffel Tower showcased at the Paris Fair. He was laughed at, ridiculed, told it couldn't happen, and made a ton of money off it.
• 
  
• Juicy Fruit Gum - It was a huge hit, and profits certainly have decreased in the ensuing century.
• Aunt Jemima's pancake mix - an all-in-one pancake mix for those busy Victorian women.
• Cracker Jack - originally called 'Candied Popcorn and Peanuts', it was a mixture of popcorn, molasses, and peanuts.
• Cream of Wheat - invented by wheat millers in Grand Forks, ND, where a warm breakfast seems to be a necessity.
• Quaker Oats - despite that huge lawsuit, still going strong and tasty, and still based in Chicago.
• Shredded Wheat - it wasn't expected to take off, for who would want what that was shredded? Guess those fair-goers didn't know anything.
• Pabst Blue Ribbon - actually it was just Pabst, but since it won the blue ribbon at the fair, was forever known as Pabst Blue Ribbon.
• Elongated coins - those 51¢ pennies with a neat design on both sides? Yeah, they debuted here, too.
• Vertical File - No, not food, which seemed to be the big thing to debut at the fair, but pretty darn important. Melvil Dewey (the guy who invented the ambiguous Dewey Decimal System) invented it.

Victoria's Empire Measuring Stick of Greatness

One thing Queen Victoria represented with her imperialism and personal lifestyle was a quest for presenting greatness. Each undertaking was a new level of greatness or a revival of the superior achievements of the past. Those she surrounded herself with also shared this focus.

The momentum of achieving drove the fastest eras of innovation in all fields that occurred during the Victorian era, itself a conglomeration of many dramatic cycles of trends and changes.

The Victoria and Albert Museum continues to showcase the types of high-level achievements that would've done the court of Victoria justice.

Tuesday Ten: Favorite Research books

After posting this, I realized that the last Tuesday Ten was about research books too--on the West. Ah well, I wrote it, I'll post it. Next time my rotation is up in the Tuesday Ten, I promise I will be more orginal.

Sorry Nic, for accidentally stealing your idea!

1.) The Essential Handbook of Victorian Etiquette, by Professor Thomas E. Hill. The information in this book is adapted directly from material published by Mr. Hill between 1873 and 1890. It give me a good idea of how people at this time were “supposed” to behave, concerning conversation, table manners, traveling and a number of other things. Parts of it are just plain funny.


2. )Confidence Men and Painted Women, Karen Halttunen. I bought this mostly because it had the dates on it, 1830-1870, which encompasses a good portion of the Victorian period. I really didn’t expect to get much out of it, but it has a wonderfully large section on Victorian mourning rituals. This is particularly important to me, since I tend to kill people off in my books.


3.) American Beauty, Lois W. Banner I expected this book to tell me interesting things about makeup and hairstyles and things like that. It did to some extent, but it also has lots of information on the changing “style” of women in general from the thin women of the early Victorian period, to the more robust women of later years. It also talks a lot about the theatre, which was very useful in Wild Card.


4.) Hands and Hearts, A History of Courtship in America by Ellen K. Rothman. This was one of those books that other books I read on the subject kept referring to. So I took this book out of the library—a lot. When I start taking books out 2-4 times a year, I figure it’s time to buy it. It details the courtship rituals from 1770-1920, and uses many diaries and other original resources to back it up.


5.) Victorian America, Classical Romanticism to Gilded Opulence, Wendell Garrett, David Larkin. This book is just plain pretty. It’s a picture book of Victorian homes and the furniture in them. I’ve used it in pretty much every book I’ve written, and some of the rooms in my books come directly from this one. There’s discussion of furniture and changing architecture.


6.) John Ransom’s Andersonville Diary, John Ransom. I love this book, and I can’t tell you why. I think because it’s all about triumph of “good over evil” or at least of the human spirit over horrific circumstances. Regardless, Andersonville plays a part in a couple of my books, as background. Besides, I love John Ransom’s writing voice.


7.)The Physician and Sexuality in Victorian America, John S. Haller, Robin M. Haller. This was interesting just for an all around view of how sex was viewed in the Victorian era. Also had some interesting information on birth control.


8.) Murder in America, Roger Lane Of course I like this one because I like to kill people off in my books. I don’t yet own this book, I just take it out of the library a lot. Probably time to order it. It is helpful in reading about punishment for murder during 19th century, and other times, also.


9.) The People’s Common Sense Medical Adviser In Plain English, R.V. Pierce MD. This would be difficult to come by for most because the copyright is 1876. I “borrowed” it off my stepfather several years back and have yet to return it. It details common medical problems and remedies in the 19th century. I’d be glad to look information up, if anyone wants to learn something specific. I use it quite a bit, as I also tend to make characters sick (I’m really coming across as sadistic here, aren’t I?)


10.) Victorian Costume and Costume Accessories Anne Buck I need to dress my characters. This book helps because it has some pictures and it explains what various items are. It also talks about materials used and which were fashionable and which were not. There’s a section on men’s clothing and children’s, too. I consult it often.

Victorian Serial Killer--Jesse Pomeroy

In this age of CSI, Without a Trace and a host of other television stories we tend sometimes to look back on previous eras with nostalgia. Oh those wonderful days when you could let your children roam the streets and not worry about their safety! Ah, those wonderful Victorian days when we were safe!

Maybe so in some areas. Not in Boston, 1872, when Jesse Pomeroy was roaming the streets. Between February 1872 and mid-September 1872, he tortured, in a sexually explicit manner, 8 young boys between the ages 5 and 8. (I'll spare you the details of the abuse because it's just too horrific for me to put on a public blog.) Pomeroy was 12 at the time. Yes, that's right, not even yet a teenager. He was caught on September 20th after being identified by the last boy. He spent 2 years in a reformatory and was released in January 1874, after scarcely serving 2 years. He was considered a model prisoner, no doubt "reformed". I sincerely doubt in these days of "easy" prison terms, this child, obviously already a sexual predator, would have been released so easily, especially with so little fanfare.

Regardless, Jesse was NOT reformed.

Within 4 months of Jesse's release he not only went back to his former hobby of torture, he took up murder as well. He later confessed to two murders, a 10 year old girl and a 4 year old boy, both mutilated similarly to the torture he had inflicted on his other 8 victims. At the age of 14 he was convicted of murder in the first degree for the 4 year old boy. And condemned to death. But his sentence was commuted--he was only 14--specifically in solitary confinement in prison for the remainder of his life.

Society at the time labeled the horror of it all as a symptom of society decay, much like we label similar murders these days. Perhaps society is continuing to decay and that's why we still read about these things in ever-increasing frequency. Or maybe it's just because we are bombarded with information, and because we have such greater tools of detection these days then in the 19th century. The book I got this information Fiend by Harold Schecheter labels Pomeroy the "America's youngest serial killer". Personally, I doubt it. I just think it's the one we know about.

And now, some of you might be wondering, "How is Denise going to work this into a book?". I can't honestly say. Much of what was written in Fiend is just too disturbing, even for a true-crime, CSI addict like me. I may make a mention of it in one of my books because a few of my characters grew up in Victorian Boston. Still, I may just prefer to forget it, and go back to the comparative comfort of Victorian serial killer Jack the Ripper. Comforting because he was in England! And didn't prey upon children. I just thought this post should be written as a reminder that for all the advances we make, some things in history just do not change.

Interview--Nicole McCaffrey

Scandalous Victorian Nic tells us about her writing and her winter release The Model Man.

Why do you write historical?

Aside from having always been a history buff? LOL. Hmm… I’m fascinated by it. The courage it took to build a nation, the passion that held it together, the raw guts and determination it must have taken to travel west on a wagon train. Simpler times, simpler struggles. It seems so much more romantic than anything going on in the present day. I guess we could sum that up in one word: escapism!

What part of the Victorian era/setting do you write in?

I’m a real fan of the 1880s west of the Mississippi—the wild and woolly days of the old west. I also really love the Civil War era, but for some reason the whole idea of Cowboys and Indians, range wars and frontier justice calls to me the loudest.

What is it about the era that most intrigues you?

The struggles, the sacrifice, the courageous men and women who held things together during the war or built new lives out west. With the old west especially there’s a sense of lawlessness, that notion of black hats versus white, and good triumphing over evil that really appeals to me.

Where do you get your information?

Books. Many, many books, LOL. I really need to stop accumulating them. I start out with the internet when I need a quick answer, but I like to verify what I find by researching it further in books, which usually leads me to some other fascinating tidbit I didn’t know about, and then I have to hunt that down and learn everything I can about it, LOL. In other words, if I’m not writing about history I’ve most likely got my nose in a book reading about it. (Which makes me a very fascinating conversationalist! Not!)

What are you working on now?

A bunch of things! I’m revising and editing my western historical, Wild Texas Wind. Kensington requested that one quite some time ago and I’ve really been dragging my heels about getting it to them (Fear. There’s no other excuse for it.). A secondary character in that story is demanding his own story, so I’ve begun some research with a goal toward making that happen. On top of that, some fellow Wild Rose Press authors have asked me to take part in an anthology that will be released next summer called Sons of Summerville, so I’ve been brainstorming with them on story ideas. As if that weren’t enough, I’m also contracted through The Wild Rose Press for a Civil War historical, Northern Temptress, to be released next summer –I need to get busy polishing that story and get it off to my editor. Additionally, last year’s holiday Novella, Small Town Christmas, will be re-released this month in print format. Whew!

How many books have you written?

About six or seven since I really got serious about writing – before that, probably dozens that I started and never finished. Most will never see the light of day again, others I’d love to pull out and polish. Each and every one was a learning experience that saw me grow as a writer so it will be hard to go back and “fix” what I did wrong, but one of these days… LOL.

Do you write outside of the Victorian era, genre?

Yes. Both my Wild Rose Press releases, Small Town Christmas and The Model Man (due out early next year) are contemporary-set, and the Sons of Summerville story will be, as well. I think occasionally my brain likes a vacation from all the history and sends me ideas that don’t require as much nitty-gritty research.

Can you tell us a little about your upcoming release, The Model Man?

Well the underlying theme is that sometimes the person who seems all wrong for you turns out to the one person who is exactly right. It’s lighthearted and funny, but my editor really helped me to dig deep and pull the emotion out of these characters. Here is the back cover blurb:
Single mom and romance novelist Kelly Michaels has no time for a man in her life. But when mega-famous cover model Derek Calavicci puts the moves on her at a romance writers’ conference, she succumbs to temptation. Common sense prevails, however, and after a few passionate kisses she turns him down; she has impressionable teenagers at home, after all, she doesn’t need a one-night-stand with a much younger man, no matter how hot he is. When photos of their passionate moonlight kiss hit the tabloids, her agent has to do some fast footwork to save her reputation. Will the notorious bad boy go along with her scheme?

Derek rarely hears a woman say “no” – it’s been that way his entire life. If Kelly isn’t interested, he’s not going to push her-- even if she does melt like ice cream on a hot sidewalk every time he touches her. But when an unexpected opportunity falls into his lap by way of Kelly’s scheming agent, he jumps at the chance. Pretend he’s in love with Kelly Michaels for two weeks? No problem. After all, the lady may say she’s never going to sleep with him... but he's got two weeks to convince her otherwise.

What challenges have you faced in your career?

Name an era that doesn’t sell and I probably write --or have written-- it! Whether it was the Civil War, the old west or even The Model Man where my heroine is over forty and thirteen years older than the hero—if it wasn’t popular to write about, I probably had a story in the works about it. When I belonged to the RWA chapter in my hometown, I was usually the sole historical writer, and always the only member writing American history. I spent years unable to connect with fellow American Historical writers—I didn’t even know if there were any out there besides me. Thank God for the internet and the Hearts through History chapter!

What is you writing schedule like?

Ha ha ha. I do try to touch base with my characters each day, but the only “guaranteed” time I get to write is while my youngest is in preschool three days a week. I guard those two hours like a rabid Rottweiler – I won’t answer the phone, won’t check e-mail and shut down my IM. But if you’ve ever had a preschooler you know that preschool is really just a fun place to go and swap germs with other kids, so he’s home sick almost as much as he’s at school. I do try to get up early and write (around 5-5:30 a.m.), but usually just as I’m getting into that routine one of the kids will get sick and it takes me weeks to get back into the swing of it again. So my schedule is haphazard at best. For me consistency is key, so even if it’s only for five minutes or if I just re-read something I wrote the day before, I make that daily “appointment” with my characters. Every little bit counts!

The Victorian Lionesses: Fashion Plates to be Reckoned With

I’m taking my muse on a fashion sortie while I revise a Victorian manuscript.

Personal dissatisfaction with the costume details in my story scenes have me looking in dusty corner of bookshelves for Victorian era fashion details. I’m compelled, after all, to introduce my heroine where she resides in Spain to the reader while she’s wearing a recently fashionable and detailed style of menswear worn by certain women in Paris at that time. I’m also obligated, therefore, to explain to the reader why she’s in menswear.

What is it that appeals to romance readers and therefore writers about skydropping their heroines into male dominated settings while wearing trousers?. For one thing, it is fun to read and sets up automatic conflict (that necessary component in novel scripting) between the hero and heroine, peppering any scene. I know more than one writer parading their heroines about in some form of menswear, and I’ll admit that I always enjoy reading about this type of spunky romance heroine that has become considered a classic in the genre.

My muse led the search for details on the lioness trend.

Lionesses were originally an elite group of fashionistas in Paris around 1840 and 1850 who went out and about in exquisitely designed men’s styles. They were eventually outlawed from such costume when they’d grown in number but not before their cavalier attitudes caught on. When a woman meant business, therefore, she could feel free to tread out in pants and waistcoat and even riding a stallion. A pistol and sword completed the outfit.

The trend lasted a couple of decades but moved into the West in a different form where we see homesteading and pioneering women traveling about in down-scaled versions of the Parisian Lioness. Paris and Napoleon’s court boasted a nearly unrivalled fashionable court. It volcanically ignited most traceable trends in the imperializing world during the heights of the Victorian era.

Women of high merit and underplayed social status began proverbially wearing the pants in the Lioness trend before the middle of the century in Paris. By the 1860s or 1870s, though, women striding out in trousers were considered of easy moral character in some parts of the world and even presumed to be ladies-of-the-night in other parts. As a romance or historical writer, though, such facts are not deterrents. Rather, they’re tools to authorially use in plotting machinations, of course.

When my heroine, therefore, opens her story in swashbuckling style to encounter the hero. She’ll be in a mildly tattered Lioness outfit that her dearly departed mother had worn as she takes care of family business in a Quadrant that was world famous at the time for both its high caliber entertainments and haute cuisine. And famous for its extreme dangers. Only those skilled in defenses or who could afford body guards dared tread where a Lioness held no fear in going. All aristocratic Spanish ladies were trained well in self-defense and martial arts, so only a hero as strong as my hero, then, can impress her.

Tuesday Ten: Write the West

Here for this week's Tuesday ten are ten books to help you breathe life into your old west characters and take your reader there:

1. Time Life: The Old West (series). Now, I could have cheated and listed these by title –that would have covered two Tuesday Ten’s! But I am that rare western writer who doesn’t own the whole set (though I’m having fun collecting it, one book at a time, as needed). With titles such as The Cowboys, The Gunfighters, The Ranchers, The Townsmen, The Gamblers, there’s something there to help you create any character you conceive.

2. Saloons of the Old West, by Richard Erdoes. This one is never far from my fingertips. Saloons always figure into my westerns, they’re very much a character unto themselves. Either fancy with a high polished boot rail and rows of shiny glasses, or dim and dark with a sawdust floor—where hard men drank hard liquor and nobody asked questions. This book covers them all.

3. Cowboy Lingo by Ramon Adams. This gives you a real feel for how cowboys talk and think. There’s even a section on nicknames – cowboys were never called by their given names but by hair color (ex: red, copper, brick for a red-head) or by build (stretch, stubby, slim). And another section on the proper cowboy “names” for things—i.e., trousers were pants or britches, your horse was your mount, hats were a Stetson or a John B. (regardless of make).

4. How the West Was Worn: Bustles and Buckskin on the Wild Frontier by Chris Enss. Now that you’ve conceived your characters, you’ve got to dress them. And, if you’re writing romance, there will also come a time when you need to undress them, which leads me to…

5. The History of Underclothes by C. Willett Cunnington and Phillis Cunnington. Need I say more? Western writer or not, no historical romance author should be without this one.

6. The Writer’s Guide to Every Day Life in the Old West by Candy Moulton. With chapters like Coins and Currency; Food and Drink; Marriage and Family; Doctors, Dentistry and Medicine, this is a must-have for any western writer.

7. The Complete Idiot’s Guide to the Old West. Maybe it means I’m a complete idiot, but I really love this book. It doesn’t go into great detail but it’s more of a “this happened, which led to this happening, which then led to…” breakdown. It never fails to inspire me to further research some event or detail.

8. Soiled Doves: Prostitution in the Early West by Ann Seagraves. Every town had them and no western is complete without them. Was she a shrewd businesswoman or a victim of circumstance? Saint or sinner? This book gives you the gritty details that Hollywood glossed over.

9. Taming of the West: Age of the Gunfighter, Men and Weapons on the Frontier 1840-1900 by Joseph G. Rosa. I love the detail on the pictures of the rifles and six shooters, the bios on the outlaws and the lawmen, both the legendary and the lesser-known. You can’t create the fictitious ones if you don’t study the real ones!

10. Wild and Wooly: an Encyclopedia of the Old West by Denis McLoughlin. A who was who, what was what, and a “what the heck does that mean anyway?” resource.

Victorian Baseball

I am a Red Sox fan. I have been for lo these many years, and have experienced the highs, and far more often the lows, of watching my team. I know a little about the history of the team, and I know for sure that baseball was originally created in Victorian times. I've even read a about in in a Civil War diary, which mentions a baseball "club" instead of a bat. It was very exciting, because when I read it, I thought "Wow, I can use baseball in a book! Yay!". I decided I would have my characters in my WIP go to a game. They do, after all, spend some time in Boston. What could be more fun than a Red Sox game?

Except the Red Sox weren't around in 1886.

No!!! Say it ain't so!!

I know there was a field, I know Boston had a team. But it wasn't the Red Sox, darn it all.

So I started to research.

The rules of baseball were written up in 1845. It was well established as a sport by the 1860's and I have heard that the Civil War spread its popularity. The first paid team was the Cincinnati Red Stockings in 1869, and the National League was established in 1876.
http://inventors.about.com/library/inventors/blbaseball.htm

Other 19th century teams (all in the National League, by the way):
The Braves (1871), The Cardinals(1882), The Cubs(1874), The Dodgers(1884), The Giants(1879), The Phillies(1880), The Pirates(1882) and the Reds(1882).
http://mlb.mlb.com/mlb/history/mlb_history_teams.jsp

The Yankees and Red Sox both started in 1901, still technically the Victorian Era, but not the time period I write in. I expect the rivalry was established at the same time. It seems, though, that the rivalry between the two cites--Boston and New York--may have started earlier, when there were two versions of the game--yes, you guessed it, the "New York Game" and "The Massachusetts Game". http://www.19cbaseball.com/game.html. I believe, although I cannot find it anywhere presently, that the Massachusetts Game allowed an out to be made if you threw the baseball at the player and hit him. I've heard that the balls were not as hard back then. Still, it does seem, um, fortunate, that this rule was eventually thrown out.

All of which is fairly interesting but in no way useful to my book. I need to send my hero to a baseball game. I am determined!

And now after surfing for an hour, I know this. Boston's original team was called The Red Stockings, established in the National League in 1876. In 1883 they became the Beaneaters. (A horrible, horrible name for a sports team). In 1909 they changed the name again to the Pilgrims, (better) which only lasted until 1912. Then they became The Braves. The team still exists under this name, only now they are the Atlanta Braves. http://www.sportsecyclopedia.com/nl/bosbraves/BosBraves.html

So there I have it. My hero is going to a--I can't believe I'm going to write this--Beaneaters game. Why on earth would anyone ever name a sports team something like that? And how on earth am I ever going to write that without laughing? I suppose I won't. I can hear my characters laughing now over the new name.

Next, I'm going to have to find out where they played ball. But that's for tomorrow. Today is about swallowing the fact that my city once actually named a team the Beaneaters. And enjoying my favorite team play in the World Series, even if they weren't playing as long ago as I had hoped.

GO SOX.

10 ‘modern’ Victorian things

It’s amazing that what we take for granted now was new and fascinating slightly more than 100 years ago. I admit, some might be a stretch, but you can see the connections! The very first link at the bottom is a short blurb about Christmas in Victorian times, and highlights a lot of new inventions we take for granted today.

CD – yeah, you thought it was invented in the 1980s, didn't you. Technically, yes, but the phonograph was invented in 1877, and the gramophone record in the 1887. It took nearly 100 years for the jump, but jump it did.

Tires – yeah, the ones we still use on our own cars. Charles Goodyear (recognize the name?) announced vulcanization in 1844; rubber ones were invented by Robert Thomson in 1845; in 1888 John Boyd Dunlop patented the pneumonic tire (the kind we use today).

Which brings us to Cars…they were invented in 1885 – technically. But in 1850 gasoline was developed, there were already those rubber tires, in 1859 oil was discovered in the US, and in 1892 Rudolph Diesel discovered, well, diesel.

Cell phones – now follow me here. We all know about phones; they were invented in 1876, then came the wireless radio in 1895. Sure, I could’ve just put phones, but this was much more interesting!

Still, since you insist on connecting it all to a computer, what about Charles Babbage’s Calculating Machine? Sure, he didn’t invent the first computer, but he tried hard enough to do so. And sure, his Difference Engine really only made sense to about 5 people in the world, but it is the foundation of our modern day computer.

Christmas Cards - designed by John Calcott Horsely in 1843.

Vacuum Cleaner – 1901 by Hubert Booth who began the British Vacuum Company.

Escalators – yup, those very same moving stairs we take to the upper level of the department store or the 2nd floor of the airport. Jesse Renno and Charles Seeberger made it all possible in 1899.

Paper Clip – so small, so innocuous, so hard to find one when you need one! Samuel B. Fey made them in 1867; however advertising didn’t really begin until 1899.

Machine gun – Contrary to Hollywood culture, it didn’t suddenly pop up in the 1920s on a gangster’s arm. There was the Gatling Gun in 1861, a popular weapon of the American Civil War, and Hiram Maxim made the Maxim Machine Gun in 1885.

http://www.aboutbritain.com/articles/victorian-inventions.asp
http://www.45-rpm.org.uk/history.html
http://en.wikipedia.org/wiki/Tire
http://www.innovationslearning.co.uk/subjects/history/information/victorians/inventions/inventions_home.htm

http://cbg.e2bn.net/e2bn/leas/c99/schools/cbg/victorians/inventions/home/
http://www.officemuseum.com/paper_clips.htm
http://inventors.about.com/od/militaryhistoryinventions/a/firearms.htm

Is It a Boy Or a Girl?

It's a common question asked at a birth, but when studying pbotos from the nineteenth century, it's often hard to tell whether a young child is a boy or girl.

In that time period, despite their sex, infants and toddlers all wore dresses.

The reason was simple. Until a child was potty trained, a dress or gown made diapering easier. Infants were dressed in long gowns and wore knit or crocheted pants called "Soakers" over their diapers. http://www.shasta.com/suesgoodco/newcivilian/kids/infants.htm

Toddlers of both sexes wore short dresses which enabled them to crawl and walk.
http://members.tripod.com/~CWCiv/children/

So, how to tell the difference in period photos? One clue is the trim. Although dressed alike, boys' fashions during the Victorian era had less frilly trim. Another difference is the hairstyle. Both boys and girls could wear their hair short or long, but boys always had their hair either parted on the side or wore bangs, while girls always had their hair, short or long, parted in the center. http://members.tripod.com/~histclo/dress.html

Of course, 21st century reenactor fathers have a hard time dealing with their young sons wearing dresses, even though it's historically accurate. But to 19th century fathers, this was a practical clothing style.

Tuesday Ten: The Cowboy Code

The American cowboy’s code of ethics was pretty straightforward—but each “rule” was backed up by plain ol’ common sense. Here, for our Tuesday Ten, are ten “laws of the plains” that the cowboy strictly adhered to.

1. It is bad manners to ask a man his name. He may have a reason why he can’t afford to share his name or bring attention to himself.

2. Stealing a man’s horse is a crime punishable by death. To leave a man stranded on the plains, miles from food, water or shelter is as good as killing him.

3. Cheating at cards is an unpardonable offense. The victim or one of his friends is entitled to retaliate with a six-shooter.

4. Drawing on an unarmed man is strictly prohibited. Offenders may be gunned down on the spot by the victim, if he’s able, or his kin or friends.

5. Encountering a stranger on the trail, a man must approach him and speak a few words before moving off in another direction. Greeting him establishes good intentions.

6. When two men meet, speak, and pass on, neither must look back over his shoulder. To do so is an indication of distrust, implying that the man looking behind him expects a shot in the back.

7. When a stranger dismounts to cool his horse it is not polite to remain in the saddle while carrying on a conversation with him. The proper thing to do is dismount and speak to him face to face, so he can see what you’re up to.

8. To ride another man’s horse without asking permission is a grave insult. A horse is private property and borrowing one without permission is equivalent to a slap in the face.

9. Only in a dire emergency is it permissible to borrow a horse. Every man has his own style of riding and a horse can easily be spoiled by the wrong rider.

10. A smart rider always puts his horse’s comfort before his own. If the horse becomes lame or disabled, the rider may find himself stranded in the middle of the desert.


Courtesy of Cowboys Then & Now museum, Portland, OR.

Another Scandalous Victorian Interview -- Catching Up with Kristin-Marie

Why do you write historical?

I’ve always been a storyteller. Even as a child.

In Kindergarten, I’d gather dozens of students about to tell them scary Victorian ghost stories. I’d learned already to use cliff-hanger endings and so the students would come back time and again to hear the rest of the story.

Nowadays, I love to unearth the past, presenting it in fresh form to readers.

What part of the Victorian era/setting do you write in?

1865 to 1866, and on into the Edwardian Era. Post Civil War era, mostly. Events of that timeframe tug at my heartstrings.

I focus mostly on lesser known royalty and nobility, and try to give the reader a view of the historical happenings through the experiences of the fictionalized historical persons and my fictional main characters who play off of them.

The reason I’m writing inspirational style is because religions and people’s faith were extremely important in their lives. Religious charities began dominating social scenes, for example, with balls and even daily involvements by patrons. History books tend to leave out such facts.

I’ve been most curious about the Mediterranean areas and Middle Europe during the Victorian era. But I research Queen Victoria and her lifestyle quite a bit because her influence was global. France’s Royal Court also influenced very many lives even at a distance as it was a measuring stick in everything from fashion to protocol.

What is it about the era that most intrigues you?

There are several things that stand out.

Lifestyles of the women, particularly of the nobility and aristocracy as I've mentioned. They had great influence behind the scenes. Great heartaches. Great joys.

The ways that society and social mores were changing and evolving. Queen Victoria’s morality changed society whether people wanted to change or not.

Technology was becoming available to Industry and the general public and changing their daily lives. For example, trains were new and being promoted as an elegant choice in travel in many parts. People dressed for the occasion and gourmet meals were served by liveried staff. The trips were short, though. Train barons began moving in and tracks began appearing all over, not necessarily connecting. But people began using trains to speed to destinations. The whole era was like that. Big changes. Then the entrepreneurs and investors would take over, putting things in reach of the populace.

Where do you get your information?

I ask around.

I interview.

I find families with historical documents from their treasured heritage. Often, they’ve preserved stories of those times.

Because I mostly write about nobility and royalty and indigenous tribal leaders, I’m known to interview or ask decedents from those groups for details. In once case, I had to await a congressional style decision before I could use fictionalized items based upon a real prince.

Mainstream sources include Google, bookstores and the library systems.

From there, the rest is imagination.

What are you working on now?

Presently, the bulk of my time is going into articles on historic and modern costuming, which includes, of course, etiquette and lifestyle elements.

That’ll change as I complete my research for the new inspirational novel manuscript. It’s entailed research from sources not available to the public and so has taken a bit of time. But I love the challenge of recreating a past as I understand it with as much authenticity as I dare utilize so it’s worth taking the time.

How many books have you written?

I’ve completed three full novel manuscripts and have about half a dozen other manuscripts in various revisions, from first drafts to fourth drafts.

This Summer, I began peddling the Victorian manuscript, Vistas of Gold as well as a contemporary manuscript. Steeple Hill’s upcoming inspirational historical line has read the full manuscript for my Victorian story by request, already, as they’d graciously asked for a first right to refuse it. We’ll see what the future brings for Vistas of Gold.

Do you write outside of the Victorian era, genre?

Yes. I’m also writing another inspirational historical romance about the little known missionary era in Ancient Ireland during the 1st Century A.D. Too little is published for source material so it is a jigsaw puzzle effort to fit together factual elements from history. The rest is fictionalized to fill in the missing pieces.

I also write and publish poetry – haiku, mostly – and I've worked as a journalist. And a costuming newsletter, column and other articles have been published recently.

What challenges have you faced in your career?

The first major challenge came when I was diagnosed with cancer, and so I quietly took time off of career and life. I decided not to tell everyone I knew right away and instead immersed myself in writing a contemporary manuscript. I took courses on novel writing. By the time I’d completed that first manuscript and Harlequin American Romance had read the full and rejected it, I was in remission and feeling good about learning a new type of writing skill. My early career years entailed advertising and public relations editing and marketing writing, so it was a new writing skill tucked under my belt.

Unexpected challenges also arose shortly afterwards with repeated home burglaries which included theft of my computer and most of my manuscripts. Since then, the Federal Trade Commission had a counselor call me and notify me that surveillance showed identity thieves were flashing my stolen manuscript pages at fine dining restaurants in Mexico. The identity thieves were pretending to be me, although I’m not from Mexico, but that is another story.

What is you writing schedule like?

I’ve just wrapped up a year-long writing sabbatical out of state during which I wrote anytime of day or night. Plus, I did some journalism to supplement the sabbatical, so some days were nonstop writing. I turned into a writing hermit for some months but the block of time facilitated my completing two full manuscript drafts. My goal had been to complete one. I’d recommend writing sabbaticals to other writers, as a result.

As I return to California and get back to a different lifestyle, I’ll schedule in two to four hours a day of research and writing time. I type rather fast, so that will yield a few pages a day. About right to make my scheduled commitments to turn in full manuscripts to editors for reads in the near future.

One thing I've learned in the last year on writing sabbatical is the value of keeping writing commitments, whether to a journalistic employer or to an awaiting editor, and especially to myself.


Check back on the 5th of November for another interview of a scandalous Victorian blogger.

Another Interview

After doing my very first interview on this blog last month, I was asked to do an interview on Shirley Kiger Connolly's website.

I had fun talking about my book projects and work habits. Here's the link:
http://shirleykoinonia.tripod.com

Tuesday Ten--Slang sources

I bought several slang dictionaries years back to help me get a feel for period dialogue. I often found that the slang references were from books of the period, which lead me to investigate the original sources. Not only did I find more slang in those sources, but often learned general Victorian phrasing as well, which is often markedly different from current speech. Here are 10 sources.

Tom Sawyer—Mark Twain—I’ve used this one for my mid-western farmer-type Victorian characters. It’s very helpful for children as well.

Roughin’ It—Mark Twain—I’ve used this more for the Western characters, cowboys and miners and such. Lots of good slang.

Connecticut Yankee in King Arthur’s Court—Mark Twain—I’ve used this for my Eastern characters, later in the Victorian period. Mark Twain was really good with using regular speech as opposed to the formal speech in many books of this era. That’s why he’s on the list 3 times.

Little Women—Louisa May Alcott—Eastern characters and those of an educated class, mid Victorian period.

The Virginian—Owen Wister—The problem with this book is that it was published late in the period (1902?). I have used some of the slang, and I do use the dialogue to help me out, but I worry that I’m using early 20th century slang instead of that of the mid-19th. I find myself going back to my slang dictionaries to check.

Gettysburg—The movie—Of course this was written in the 20th century, but the dialogue often has a good period feel. I’ll sometimes have this movie on in the background as I revise my books, in hopes that the “feel” will sink in.

Sharpe Series—Bernard Cornwell—all the movies—I love these movies. They’re about the Napoleonic wars, true, but they do still give the general “feel” for the early 19th century. Although written in modern times, I’m comfortable with the authenticity of the dialogue, after looking up some of the phrasing in the slang dictionaries. I find it most useful when I have English characters (phrases like Bugger off) in my Victorian American novels. Besides, Sean Bean is to die for. http://www.compleatseanbean.com/sharpe.html

The Bostonians—Henry James—I’ve read the book but have yet to use it extensively. I expect to be doing so in the near future, when I edit/revise my WIP, since it’s about a Boston born women’s right’s activist.

Edgar Allen Poe—anything—Although he was American, his writing has, to me, a very British feel to it. I don’t know why. I do use him for flavor, but usually for characters who are apt to be more verbose and starchy.

Pride and Prejudice and Sense and Sensibility—Jane Austen—Her books are from the regency era, true. But I had an English Aristocratic heroine in Wicked Woman and I wanted to see if I could find words that would differentiate her from the American characters in the book. I figured the wording in these books were close enough to the time period of Wicked Woman (1811 to 1855—40 years) that I wouldn’t be totally off.

Anyone else have favorite books written in the Victorian period? Especially anything Western. . . .

Did you all know this?

I was researching a Chateau, and as often happens, I came across something completely different. Did everyone but me know that Queen Victoria's father lived openly for many years (in Canada and the West Indies) with a Catholic woman? Of course they couldn't marry (although there are some rumours about a morganatic marriage) because he might one day become the head of the Church of England--and his marrying a Catholic was against the Royal Marriage Act of 1688.

He finally went home and married Queen Victoria's mother. The interesting thing would be if there WAS a morganatic marriage, because bigamy rules would apply. That would have made Queen Victoria illegitimate!

The Duke of Kent (Victoria’s father) died in January 1820, when Victoria was eight months old. Her mother raised her in isolation from the Court (perhaps to avoid her hearing the whispers, hmmm?)

And yes, I looked it up. The Catholic mistress died unmarried and childless in Paris on August 8, 1830.